Kym Mazelle ’86

Singer. Songwriter. Trailblazer.

Recording artist Kym Mazelle credits Columbia with providing a rock-solid foundation to succeed in a tough business.

Gary, Indiana, may be known as the birthplace of Michael Jackson, aka the King of Pop, but it’s also the birthplace of another member of music royalty: Kym Mazelle ’86, the First Lady of House music. 

“Back in college, I was a single mother,” says Mazelle, who graduated from Columbia College Chicago with a bachelor’s in Arts, Entertainment, and Media Management (now Business and Entrepreneurship). “Going down to the clubs, to places like The Warehouse, I had to find time between working and interning and raising my daughter.” 

Established in 1977, The Warehouse was a Chicago nightclub prominently known as the birthplace of the House music genre, which Mazelle describes as a result of DJs experimenting with dozens of various musical stylings—disco, funk, soul, and jazz—into dance-focused tracks.

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In 1987, they pressed 2,000 copies of her first album, which included the hits “Taste My Love,” “Useless (I Don’t Need You Now),” and “Wait.” These songs hit the United Kingdom club charts in the late ’80s, and her career took flight: Mazelle signed with United Kingdom label EMI Records for a million dollars, and later moved to London, England, where she lives today.

Since then, Mazelle has lived a life that many budding artists dream of: She’s worked with icons like Mick Jagger and Chaka Khan, and went platinum with her cover of “Young Hearts Run Free” for Baz Luhrmann’s Romeo + Juliet. For any well-rounded artist, Mazelle thinks, it’s valuable to know how to navigate the industry on your own terms. Last December, Mazelle visited Columbia to share these experiences with students aiming to find similar success.

Having launched her 30th anniversary tour in 2017, she shows no intention of slowing down. Mazelle’s mastery of business and performance brought her widespread success abroad, but she still circles back to her hometown: In 2017, she received the Gary Legends award and a key to the city, joining the likes of the Jackson 5.

Adapted from DEMO magazine, issue 29